Art critics Christopher Finch and Peter Frank converse with artist Jay Mark Johnson during his WAVE LENGTHS exhibition at William Turner Gallery on Thursday May 21, 2015.
Watch this 13 minute video of excerpts here. | Christopher Finch | Peter Frank | William Turner Gallery
“Jay Mark Johnson’s remarkable photographs of waves possess the same insistent energy and drama that I find in the great seascapes of J.M.W.Turner currently on view at the Getty Museum.”
“Johnson’s work applies the methods of modular repetition associated with ‘minimalist’ composers such as Philip Glass and Steve Reich to photographic imagery — with the same fluid grace and delight in patterning found in that music.”
WILLIAM TURNER GALLERY | CHRISTOPHER FINCH | PETER FRANK | View flier here. A video of this event is forthcoming.
In “WAVE LENGTHS,” an exhibition of new prints at Santa Monica’s William Turner Gallery, Jay Mark Johnson expands on his “timeline” photos of people moving through space and time, and now turns his lens toward the natural world…
View article by Stephen Dillon on Artsy here.
William Turner Gallery is pleased to present WAVE LENGTHS, an exhibition of large format color photographs by artist Jay Mark Johnson. The images depict the rhythmic cycling and recycling of oceanfront waves as recorded on remote coastlines around the world–in Florida, California, Hawaii, the Caribbean, Great Britain, Australia and South Africa…
WILLIAM TURNER GALLERY | View exhibition catalogue and video here. View PRESS RELEASE here. View listing on Artsy here.
Time is an abstract construct. A cultural tradition. An in-between non-entity. Like the verb between two nouns, like the directional movement between a subject and an object, like the central dramatic act in a three act play. Contemporary linguistics tells us that time is expressed by using spatial metaphors and that spatial concepts are shaped by language. The physical sciences tell us that space and time are both elastic and interdependent…
What does a theoretical physicist have to say about this? And what if you ask an artist, a writer, a musician, an art critic, a filmmaker or an academic?
BARRY BARISH | SHANA NYS DAMBROT | CARLO SILIOTTO | JEFFREY SKOLLER | COLBURN SCHOOL | More event information here. |
The Colburn School is a world-class performing arts school where a renowned faculty provides instruction in music, dance and drama to dedicated students of all ages. This exhibition presents twenty-one large format photographs by artist Jay Mark Johnson. They are selected from a decade long inquiry focusing on the possibilities for timeline photography.
COLBURN SCHOOL | More information here. | ACE Gallery
In December 2104, culminating a four-year effort by Galerie Deschler Berlin, the Deutscher Bundestag (German Parliament) acquired Jay Mark Johnson’s A VENDEMIARE CON DALGAS as part of the government’s Artothek collection.
DEUTSCHER BUNDESTAG | ARTOTHEK | GALERIE DESCHLER BERLIN | View A VENDEMIARE CON DALGAS here.
El creador de los efectos visuales de Matrix y Titanic, Jay Mark Johnson, montó su primera ofrenda de muertos en México y la tituló “En la Madrix”. La obra mezcla tintes futuristas con la problemática que atraviesa el País y un toque de Matrix.
INSTITUTO MUNICIPAL DE ART Y CULTURA PUEBLA | REFORMA | MURAL | NOTICIAS TERRA | NOTIMEX | EL SOL DE PUEBLA | CONACULTA
Con el objetivo de explorar la problemática de la migración y sus diferentes aristas económicas, raciales, sociales, culturales y de género, además de sensibilizar a la población sobre este tema, el Ayuntamiento de Puebla a través del Instituto Municipal de Arte y Cultura (IMACP), presenta la exposición denominada “Migraciones”.
INSTITUTO MUNICIPAL DE ART Y CULTURA PUEBLA | CARLOS MOTTA | DULCE PINZÓN | MICHAEL LOPEZ MURILLO | Video de la conferencia de prensa here. | View SURFING SOWETO here.
Johnson’s CARBON DATING #1 has been delivered and installed at the Phoenix Art Museum where the artwork finds its new permanent home.
